Archive Page 2

09
Apr
11

Recent News and Plans

We have had two shows this year. The first was a spoken word event at Higher Ground last Friday, and the second was a Central Market show  last night with Jeremy P. on accordion and whistle. I’ll put up vids and photos sometime.

Plans to do more stuff have been stifled by extreme business on both our parts, and also, I’m moving to Papua New Guinea in July, so, Luker and Southern is going to be on the back-burner for a while, like, three years. We might do another market show before I go, and then shows when I come back for visits.  WE’ll see.

So that’s what’s going on.

S.

09
Apr
11

L&S play Celtica

We played the CELTICA Music Festival at the Port Adelaide Wharf on December 5th 2010. It was 40 degrees. A kilt is a surprisingly good option in this weather.

The show was good. At one point the police patrol boat drove over and listened to us.

Here is a photo of me from Emma’s camera, looking kinda cool, but also a little haggard, like Dr Cox from Scrubs.

18
Mar
11

Janie Jones drum break

The Clash, Janie Jones, drum beat at the start with added stuff.

Jam along with Topper Headon.

Suitable for a fast Country and Western song in F. TEMPO = 110.

DOWNLOAD

PLAY:

Warning: lasts for ages.

 

 

26
Feb
11

Hayes and Cahill: P. Joe’s Reel

Martin Hayes and Dennis Cahill look like a couple of old geezers, don’t they?

Apparently they met in the eighties playing in a jazz fusion band – go figure – but found a mutual love for Irish music. I haven’t heard their first album The Lonesome Touch but I’d like to. I have this, their second album, on high rotation in the house and car. It puts me in a good mood most times I put it on. They have done other records, but not together, so I believe.

Hayes’ playing is kind of slower and less flamboyant than a lot of other Irish fiddle stuff I have heard, but there are soulful swoops and touches to replace the sound of the virtuoso’s burning fingerboard. But for me, Cahill’s playing is what really makes it work out. It’s all voicings of the same five or six chords we all play, but Cahill always picks the perfect inversion for the particular moment in the tune. And the sound he gets brings out echoes of harp, lute, and banjo, and goes well beyond the standard steel string strum-along that sits behind so much Irish fiddle playing.

All up, these guys are really worth a listen. It’s all instrumental and all quite slow and soft, but it’s groovy, too.

This particular tune is apparently a Scottish dance set but to me it sounds kind of American. I can see it as the instrumental track to some coming to America story, the first time an immigrant sees Boston, or something of that sort.

P. JOE’S REEL MP3

12
Feb
11

Weaver’s Ghost Demo

Another Luker and Southern demo for ya. This one is a slow tune for Emma to do some more of her WALL OF VIOLIN work with multiple distorted violin parts.

The beginning has a verse straight away in this version, but if we do a full version, I’d like an Irish whistle solo before the singing starts.

Vox on the demo still a bit dodgy but other than that I kinda like the boomy sound and would want to do something similar on a proper version.

The Weaver’s Ghost mp3 to download

Incidentally, the chords / melody at the end of each verse are from an English trad tune called the Weaver and the Factory Maid. I love this song immensely, probably my favourite Maddy Prior tune. It was important to me at around the time my Dad died so I think that is why the lyrics to my version have ended up being about that.

Steeleye Span – The Weaver and the Factory Maid mp3 to download

Cheers,

GSS.

12
Feb
11

Mandolin Christmas Disco Fever

I just got me one of these:

Exactly the same, except mine has a pickup.The tuning is in fifths so the chords are a little different from geetar or banjo, but you get used to it after a while.

Up til now I have been playing on Emma’s old one, which she got given in Mexico, but decided I needed one with a pickup if we are going to take it on stage.

So we’ll be featuring some madolin tunes in our upcoming shows in April, and on further recordings.

Happy Christmas to me.

09
Feb
11

Barlinnie Reel and Fishers Hornpipe

These are some Luker and Southern demos I’m putting up so Emma and Jeremy Phillips can have a listen and play along.

They aren’t real hot quality wise, but the songs will get there in time.

Barlinne Reel is about a nutter in jail. It is based on the Glenville Reel I blogged about a few months ago. Harmony in the chorus.

Long Gone Running in Old Barlinnie

Nobody Knows If I’m Lower or Higher

Been Locked Up for Twenty Mississippi

Play Me a Reel and I’ll Set You On Fire

 

Fisher’s Hornpipe (Didn’t Catch a Thing) is kind of about how fishing can be lame because it gives people too much time to talk to each other. It’s to a well known Turlough O’Carolan tune.

19
Dec
10

Heart Like a Steel / Window of Love

Heart Like a Steel

Window of Love

Two mixdowns of a semi-serious recording session with Michael and Louise, a few Sundays back.

The mixes still have alive quality but in with the process was far more careful and procedural than the rather haphazard wine and cheese influenced sessions this group is used to having. Next jam session might be one of that other kind.

Songs, guitar, vocals – Michael H

Bass, Louise, Steve on a later overdub

Banjo, percussion, mixing – Steve

Enjoy all, and Merry Xmas

S.

06
Dec
10

Little Hefty Runs The Gauntlet

We did a show on Friday night at the Queen’s Arms on Wright Street. (The old pub used to be called the Old Queen’s Arms, but then they renovated.)

Anyway it is, as one Mr Dylan Woolcock noted, something of a “gauntlet”. They have a front bar,  a games area, a pokies bar, a meals area, and as the fifth finger on the glove, a band room, which I did not previously know was there. It’s not too bad a space at all. I’d to pack it out, someday.

One of the characters playing before us was a guy called Little Hefty, who I had not previously heard of but who sounds a bit like Jack Johnson vs Bob Marley and has the same kind of “laid back beach funk” vibe as Johnson. I enjoyed listening to this guy, who can sing better than most. His quieter, finger picky numbers appealed to me more than the funkier stuff but generally it was all worth seeing.

Try his Myspace and watch the vids, looks like they are from a gig at the Wheatsheaf. The last one is the best.

http://www.myspace.com/littleheftymusic

04
Dec
10

Time’s Up for Howard Devoto

A while back I made the mistake of downloading a “rare” previously unreleased Buzzcocks album from 1976, called Time’s Up, dating from when Howard Devoto was still singing for the band.

Why the hell do I do things like this?

Let’s look at the facts:

  • Devoto can’t sing as well as Pete Shelley and I really only like a few songs by his other band, Magazine.
  • The band had only been around for a year or less and the songs are all hasty demos.
  • The band chose to put out all the best stuff from this early period on the Spiral Scratch EP, including better versions of four of these songs.
  • The band chose not to release the rest of this recording, but instead went back into the studio to re-record the same songs from a full length album, with Shelley singing.
  • Howard Devoto left the band saying he was bored of their music

So, bad demos with a bored lead singer from a band who hadn’t really found themselves yet, and which they chose not to release. Obviously the smart thing to do would be to AVOID this record. So naturally I downloaded it and listened to the whole thing.

It is terrible.

Don’t believe me? Try these.

ORGASM ADDICT

LOVE BATTERY

Believe me now?

It’s time to go, Howard Devoto

 




Southern Steve is…

...the online alter ego of S.J. (Steve) McKenzie.

I am an Australian guy who likes and plays lots of different styles of music, mostly for kicks.

There's samples of my own stuff here as well as lots of mp3 goodies from other bands I love; folk, punk, jazz and just whatever sounds like it has its own thing going on.

Feed Me!

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