Archive for the 'Single Tracks' Category



26
Feb
09

Cold Light of Day

The beginning of ‘Disorder’ from Unknown Pleasures has a drum track I have always wanted to sample, and now that’s something I can cross of my to-do list before I head to the mountains again.

Mp3 – Great Southern Steve: Cold Light of Day

I like the bass and guitar and swirly keys enough to call this a keeper, although the lyrics – a maudlin epic about a vampire who feels regret about never seeing daylight – are kind of silly, and could easily be replaced if I have a better idea. I’m planning an EP of stuff like this so a better version / mix is very likely.

Warning: my vampire fetish is entirely whimsical, but seriously, if you are that obsessive kind of person who still lights a candle on Ian’s death-day, don’t listen to this, it will annoy you.

24
Jan
09

Antenna for your Love

Mp3 – SSB and the Stobie Pole Band – Antenna for your Love

Soursob Bob has told me he likes his recordings clean and simple, no frills, just raw country, folk and rock and roll.

Let’s see if I can’t dissuade him from that path of purity with this heavily reverbed, messy, overdubbed country punk version of one of his new songs, Antenna. It’s still just a test mix but this is, roughly, what I would have done with this tune.

  • SSB – Guitar, vox
  • Emma Luker -violin
  • ‘Southern’ Steve McKenzie, bass, midi drums, backing vox, midi SOS signals, production

By the way, a Stobie Pole is a South Australian specialty – a telegraph pole made of metal and cement.

The Wiki page claims they were necessary because of the arid treeless nature of South Australia but the truth it there were trees aplenty until they cut them all down to make way for sheep. Then they started asking themselves what they were going to do about the pole situation. Pure Aussie genius.

19
Jan
09

Look What They Done to My Song, Ma!

Looks like Emma Luker of The Fiddle Chicks has been getting her hands on my music and doing her own thing with it again!!!

The first such incident occurred a few years back when she got hold of an old demo tape that Bill Greenwoood and I made for his Honours cello audition in about 1990, featuring an instrumental tune of mine called simply The Third Waltz. When Emma was putting together a demo CD with her beau Soursob Bob, they made a recording of the tune with violin, guitar, bass and some percussion. Here it be. I can’t give you the original to compare. I think it was pretty basic. (The tune went on to become part of a full song called Never Come Close, a maudlin epic about love and loss that is best forgotten).

Mp3 – Emma Luker and Soursob Bob – The Third Waltz.

About six months later Emma e-mailed to ask if she could cover another tune, Goldfish at the Laundromat, this time from the Live at Home CD I made last year and have been banging on about on here. It’s a melancholy folk tune about love and loss etc, but it doesn’t annoy me at the moment.

Sure, I said. Why not?

At this point I had only met this person once, briefly, at the Wheaty last Christmas, completely by accident, and was kinda wondering who she was. Well, we’ve hooked up twice now, and had a trial recording session just yesterday, and I am pleased to report she is a fine musician who also seems to make a fair living out of being that, which I had previously thought to be a myth, like Craig MacLachlan’s music career. But this photograph proves her to be quite real.

 

Her version of the song is on her forthcoming debut solo CD. It’s all her, except apparently that the producer snuck in and did the snare drum while she wasn’t looking.

MP3 – Emma Luker – Goldfish at the Laundromat

I think I like it better than the original version, which was kind of patched together out of several different files with the home recording equivalent of sticky tape. You might not pick that but I hear it every time I listen to it…

Mp3 – Great Southern Steve – Goldfish at the Laundromat

Anyway there’s more where this all came from. I’ll be putting up a few mixes from the trial session, maybe including one of Bob’s tunes too, and hopefully we’ll do more folk together later in the year.

GSS.

07
Jan
09

GSS vs George Thorogood

monopolyGeorge Thorogood? You mean the toad-like guy with the bad hair who made a fortune out of cheese?

Yes, I do. Now, I wonder how much of the sentence “some of his early stuff is actually quite good” I can get out before you hit the back button on your browser. You seem to be still reading, so…

George and his band the Poppets (later the Destroyers) went into the studio to record what would have been their debut album, Better than the Rest, in 1974. It’s an album of blues covers from the likes of John Lee Hooker and Willie Dixon, and while it certainly isn’t better than the rest, or even some of the rest, it’s alright.

I guess that’s why MCA decided not to release it until 1979 after he had two solid albums of cheese under his belt from the previous two years. “We don’t want to confuse people with this quality music, George,” said his R and A man, Les Befriends. “You want to win over the musical heartland of America, you gotta play real crap.” So, the album was shelved for five years.

Tucked away on side 2 are two tracks featuring George solo, playing slide guitar and singing. These are, I must say, really quite fine. I’ve posted them both here as well as my own version of Huckle Up Baby, which I make sound kind of folksy because I just can’t play blues very well. Miss Me When I’m Gone also features me on the bass. I don’t know whether it adds anything but it was fun to do.

Whose version of Huckle Up do you like more?

And more importantly, who do you think would win in a fight?

My money is on me. He’s quite old now…

(Satire impairment warning: “Les Befriends” does not exist, nor did he ever say either of those things. And lots of people probably really like George’s first two albums. I’m just not one of them.)

george_thorogood2

steve-thorogood


13
Nov
08

The End of the Ancient World

Free Mp3 – Useless Life

Once, when I was an undergraduate in History in the early nineties, I had this bizarre anti-epiphany about life and knowledge while I was in the library.

The exact trigger for the episode was a book called The End of the Ancient World and the Beginning of the Middle Ages by Ferdinand Lot. While the library did have this French edition, the edition I used was an authoritative, blue-bound hard-back from Oxford UP, whose very appearance promised definitive solutions to an essay due at the end of the week.

I think it must have been the OUP cover insignia that did it for me – many other books in the section were equally weighty, but that one, above all, called out to me and said:

You will never write a book like me. You will never read enough to know enough to write it, and even if you did, you would never be able to write it down. And even if you did, you would never get it published. And even if you did, you will never get it published by a major university press and have copies distributed around the world.

Don’t get me confused with Mark C., the guy at my university who actually did hear the books talking to him and is now on sickness benefit. This was just a feeling, but a very strong one, and one which made me leave the library in haste, feeling quite useless. I did not get that essay in.

As the years have gone by I have told myself that my skills lie in other areas. You know the drill: Herculean labours are not for me, I am a mercurial and whimsical critic, relying more on nuance than on stodgy completist scholarship to produce my masterwork, etc. (A masterpiece which, of course, is yet to be produced. And then published. By a major publisher.)

While studying medievalism, I had scumbag friends. One in particular, Janet C., had a heroin addiction which probably predated Ferdinand Lot, and often used to have trouble walking upright, not due to heroin but a combination of alcohol and methadone. She once told me she was quite happy to be useless but didn’t want her friends to be that way; her idea of the perfect day was one in which she could get drugged up and then just lie there on the couch while we played music, or talked about what we wanted to do with our lives.

Somehow, those two things sum up a place I’ve been, in one way or another, most of my life; not happy being useless, but not willing to chuck it in either, just slowly working away at things to better myself, a process that seems to take forever. And part of me is always wanting to hang out with the sort of people who haven’t got the slightest intention of “making something of themselves”, just because that sort of company can be so much more fun than being with stressed out career-heads; but then inevitably I wind up feeling on the outer, because in another way, I can’t relate to that. I’d love to make something of myself.

So anyways this song, Useless Life, is about all that. It has a little banjo, for those that dig it, but it’s mostly about the lyrics:

Someone figured out how to put a man in space

But you still ain’t got the world right

Someone figured out the circumference of the earth

And you can’t even walk straight

I think I’d like to come along with you

You could show me how to get nothing done

But you’d probably get bored with me

You probably got no use for me at all

I envy you

Even though you think you never know what to do

Just because you’re happy to be useless

Because you’re happy to lead a useless life.

Oh, by the way, I’m moving to Australia next week.  And thanks to Janet for recent kind words, and to Kevin Dunn, who has been giving me props, and playing my tunes on his podcast.

Cheers,

Steve McK, November 14 2008

27
Oct
08

A Career in Virtue

Great Southern Steve – A Career in Virtue (mp3)

Here’s some more banjo folk from the Live at Home album, as a few folks liked the Golden Retriever tune from a few posts back.

This song, however, is anything but jaunty, although it does have kind of sombre sea-shanty thing going on. It’s based on a banjo riff I wrote when I was about nineteen. It’s worth remembering the things you wrote when you are nineteen because they are often more natural than things you write later.

Anyway, I had in mind for the lyrics the character of a priest in a remote location, who had brought his wife along, promising glory in the service of God, but delivering misery in the service of his alcoholism.

Yes, I know, what a cheery thing to write about. I’m such a ray of sunshine.

The final part was written over here in Melanesia. ‘Blacktop’ is what they call a ‘tar’ road, to distinguish between that and most of the roads, which are just dirt. It is dusty, hot and everyone drinks too much.

Anyway here it is.

So starch my collar up and bring my liquor down

And I’ll kill the memories that dog my days

Even if I’d lived across the other side of town

I’ll bet this would have happened anyway

I gave up a career in virtue

For the chance to hold you by my side

I promised that nothing could hurt you

Sweet innocence,

You know I lied.

22
Oct
08

A Little Dog Called Snuckles

Mp3 link: Passenger Dreams.

Do you remember falling asleep in the back of a car, the sunlight flicking through your eyelids when the car went past trees, the radio on just above the hum of the engine, the driver silent? Best thing.

To me it seemed a good thing to write a song about, too. It’s another song built around a groovy bass riff.

This mp3 is a recent mix down of the track, which is actually about three years old – the vocals were one of the first things Lee and I did together. It is supposed to be bassy and moody, but not quite so much as this mp3 would lead you to believe, as some of the definition has gone from the instruments in the rip process.

There’s lot of weird stuff hidden in the deep background, as I wanted to give it a dreamy, subconscious feel. In particular I have inserted at various points an mp3 of a famous blooper from U.S. AM Radio stalwart Casey Kasem, in which he gets angry about being set up to give a dedication about someone’s dog dying (a little dog called Snuckles) right after having come out of a happy ‘up-tempo ‘number. Not realizing the mike is still on, Kasem totally loses his shit and berates the studio tech guys with all sorts of demands (and foul language).

It’s pretty good to hear, especially for those of us who grew up with his voice representing a kind of smug and distinctly American self-control.

Something we can all understand...

Something we can all understand...

Seeing as it’s mixed so quietly in the song (it is in there, believe me…) you might want to listen to the mp3 on its own. It is here.

Keep your feet on the ground, Casey.

22
Oct
08

Boris the Moth

Mp3 Link: Boris the Moth (demo version).

Did you ever read something called the Knowhow Book of Spycraft? It was in the library at our primary school and I must have read it a dozen times. Nothing – other than Get Smart – has ever tapped into the fundamental silliness of spycraft and detective work in the way that book did.

I don’t think it was entirely deliberate; much of the information provided was supposed to be for serious fun, the kind where you spend hours cutting and glueing elaborate masks and so on – but I don’t think anyone at our school ever actually made the masks or did any of the other activities it suggested. It was a book for daydreaming.

Strange But True: Muzak Jazz for the Modern Amateur Spy is the name of an album of home studio nu-jazz I made in Adelaide in 2005-6, in honour of that book. I gave quite a few copies to friends but took it no further than that.

Here’s a tune to get you started – this is the story of how that shady character Boris the Moth skipped town. It features Greg Osman on the saxophone and Louise Kleinig on vocals. This is a demo, so don’t be surprised if it’s a little crunchy in places.

Boris the Moth

22
Oct
08

Love Bunni Press…What’s The Address?

Mp3 link – Love Bunni Press Theme Tune remix 2008.

In 2006 when I began the process of writing and recording the Love Bunni Press Theme Tune for R. John Piche, I hit upon using the address as a hook, as I didn’t have a phone number. At the time, John lived somewhere called Euclid Boulevard in Cleveland Heights Ohio. It scanned nicely so I went with it.

Just as I was finishing the bed track I logged on to his website and found to my horror that he had moved to a new locale, 2226 Princeton Road. I changed the lyrics accordingly and recorded the final vocal version. There was a brief spasm of activity on Myspace and I got some kudos for my DYI spirit before the craze faded.

I still like the tune a lot. But the dude moved again. So its a bit redundant now there’s no way I’m singing Blanche Avenue

So, anyway enjoy the Love Bunni Press Theme Tune, recently remixed. (The original is still up over on his website). This was my first attempt at writing muzak for a commercial enterprise. The sound is tacky, catchy muzak with off-key vocals (my own) and those of Louise Kleinig which are in tune, with some insanely lame drum sounds and fake applause. I now call it nu-muzak, or punk muzak.

S.

22
Oct
08

All Our Creepy Needs

Planeteer Diaspora member Jason Katison once commented that if we need a creepy weirdo in a film, Steve Buscemi meets all our needs. I know a good line when I hear one and this song came shortly afterwards.

Do you remember that movie when he played a nerd? Or, come to think of it, can you remember one when he didn’t? I think it might have been that crappy one with Sandra Bollock in rehab.

He’s a big wheel in The Sporanos now too but I have to suspend my disbelief that Tony Soprano would take him seriously, I still think of him as Chet in Barton Fink. Tony, don’t you realise who that is? It’s not your cousin, it’s the Busc!

Oh, and apparently it’s ‘Boosh Shem I’ but I didn’t know that, did I? Everyone I know says Sheem.

Genre Warning: This is Punk Rock a la Johnathan Richman, i.e. not very punk, or very rock, especially with those keyboards. Also, it still has a very sudden ending. It just cuts out right in the middle of




Southern Steve is…

...the online alter ego of S.J. (Steve) McKenzie.

I am an Australian guy who likes and plays lots of different styles of music, mostly for kicks.

There's samples of my own stuff here as well as lots of mp3 goodies from other bands I love; folk, punk, jazz and just whatever sounds like it has its own thing going on.

Feed Me!

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