23
May
09

Wall of Violin

Last post before I go on a break  to the Farhterland,

Here are two tracks showcasing what my recent collaboration with Emma Luker sounds like; somewhere between the Velvet Underground, Steeleye Span and the Dirty Three, as I intended. I’m kinda happy with them, but be warned, they are basically FOLK music, especially the second track, so if that word makes you want to take heroin while you tattoo cocks on your face in an effort to assure your rock and roll credibility,  avoid these tracks, they will hurt you.

The first track, Baby Kissing, has the wall of violin effect created by Emma recording six different layered tracks, all distorted. On the final one of these the input went crackly, which lends a certain VU ambience, but will have to be re-done ultimately. Also for the chop before I mix the final version are my vocal efforts here. They are alright but I am somewhat nasal, as I have come down with a feverish cold after my recent annual visit to a piggery. I’m sure it’s nothing.

Enjoy, and there’s more of this to come. In the meantime wish me well as I travel throughout one of the world’s great cultural centres, drinking beer and eating sausages.

Baby Kissing

The Perfect Hill (McKenzie / trad).

16
May
09

First Show in Ten Years

I played live for the first time in about ten years on Wednesday night, at the Grace Emily hotel. Overall I’d say it was small, messy, high energy and fun. Bob and Emma came on afterwards and things swelled up quite a bit in terms of crowd size, including some (rather noticeable) members of The Beards, but generally it was fairly quiet and informal, which was probably a good thing for a starter show.

A few folks asked me when I was playing again, to which I had to reply that I did not know, having only just worked out that it’s something that I actually want to do regularly. So far I have some plans to support the Fiddle Chicks that have not yet been made official. Check back here in a while and look for the ‘Upcoming Shows’ page in the top bar – which I’ll make when I’ve got something to put in it.

In other news, I’ve had two recent recording sessions, and will be putting up some sample tracks of what my collaboration with Emma on violin sounds like, within the next week or so.

After that, I’m heading over to Germany for a month with the family, so this blog is going to be quiet for a while.

S.

25
Apr
09

Live Wire: Best of the Bon Scott Era

well if you're looking for trouble...

Like all good Aussie boys, I love me some Bon and Co. especially when I’ve had a few, but when I think about it, there are some paradoxes in my attitude to AC/DC, viz:

  • Even though I think all their songs sound the same, I love some to death, while others bore me to (to death), and and I find the “good track to filler” ratio pretty intolerable on the majority of their records. So, something stands out about some songs but I don’t know what it is.
  • I don’t normally think of them as a singles band, yet my “best of” track list has lots of singles.
  • I think I can only stand them in “small doses”, but I will happily listen to selected songs (”Live Wire” and a few others) about ten times in a row, getting increasingly louder each time.
  • I think of them as a mood band, yet some of their songs just get me no matter what mood I’m in. In fact, they put me in the mood to listen to them more.

I’ll probably never figure them out. But anyway, here’s my Bon Scott era, reduced to the 12-song “best of” LP – incidentally, something the band themselves haven’t ever really released.

  1. Jailbreak
  2. Long Way to the Top
  3. Rock and Roll Singer
  4. Live Wire
  5. TNT
  6. High Voltage
  7. Dirty Deeds
  8. Let There Be Rock
  9. Riff Raff
  10. Whole Lotta Rosie
  11. Kicked in the Teeth
  12. Highway to Hell

I’ve included ‘Live Wire’ as an mp3, just so that in case you are a novice AC/DC listener, you can hear what plain rock music should sound like. I I fucking love the intro to this song. It’s just such an obvious piece of rock, someone just had to do it, and AC/DC decided that someone was them, and did a great job of it, too; it’s simple, solid, stirring, ballsy, and really well recorded.

Enjoy,

Steve.

I'm the man to see...

07
Apr
09

The Difference Between Heaven and Hell

Attn: Melinda Fisher

The Difference Between Heaven Hell is an EP of anti-muzak. It is designed to be annoying.

All the songs and pieces are in various phases of completion. Trial versions can be downloaded here for your informations. Nearly all are between 1 and 2 minutes long.

I would be happy for you to use any of these in your flash animation.

Let me know how you get on. If you dislike this style – and let’s face it, why wouldn’t you – I’ll be posting some more short pieces in a different style soon. E-mail on sjmckenzie101 AT gmail dot com and we’ll talk…

Mono Zukuri Dot Com Domain Parking Theme

My Masterpiece – MENSA AGM Caterers Theme Music

Better Than the Rest – Love Bunni Phone ‘On Hold’ Music

Turning Blue – High School Jealousy Theme

Toast Restaurant Foyer Welcome Theme

“Kylie but not Minogue” Anti-Disco Floor Clearer for dead DJs

God of Thunder – Thor’s Electronic Doorbell Theme

German Gratitude and Sincerity – Frankfurt International Airport Lounge Music

All yours, Mindy…

Steve.


06
Apr
09

Unbeknownst No More

Observant visitors will note that I have taken the ‘wordpress’ out of the URL and magicked it into another dimension. This post is for the rest of you.

The domain change means I’ll be uploading music files straight to my very own (pretend) website. It also means that unbeknownst recordings, former host to my jazz recording project ‘unbeknownst’, is closed for business. I have had a chat with my singer and recording partner, Lee, and there’s no possibility of turning that particular project into a gigging concern. So, after a final recording session in July, I’ll be drawing it to a close – and posting the full results here. In due course I’ll also be transferring all the bio details over here as a record of the whole thing from 2005 to 2009.

I have a live gig coming up on May 20 at a local den of iniquity, more gigs coming up in July and the possibility of forming a country outfit by the end of the year, so I am of firm resolve and generally undeterred, although honestly, it could have been a kicking band.

C’est la vie…

Steve

30
Mar
09

London Calling as a Single LP

(More filler posting to keep this place ticking over. I will post more music soon.. honest. Like, this week).

Running with the general theme of weeding out bad songs by good bands, here’s my pick for London Calling as a single LP. Think of the wonderful album that might have been if only the dross filter had been set to a higher level when they were making their selection. For starters, the band could have taken nearly all of 1980 off, and the world of music would be none the poorer.

London Calling:

  1. London Calling
  2. Brand New Cadillac (cover version)
  3. Hateful (Jones)
  4. Rudie Can’t Fail (Jones)
  5. Spanish Bombs (Jones)
  6. Lost in the Supermarket (Jones)
  7. Clampdown (Jones sings in middle eight)
  8. The Guns of Brixton (Simonon)
  9. Koka Kola
  10. Train in Vain (Jones)

I’m pretty sure that the band would have still recieved the same amount of critical accliam for this tight, Jones-led effort as they would for the sprawling mess they released instead because they allowed Strummer’s “but I’m the lead singer” ego to get in the way. Lyrically, he just wasn’t in top form that year. Moreoever, I’m sure that you, gentle reader, can’t even remember the name of lots of the other songs of the real double LP without looking it upon Wikipedia. Can you?

As for Sandinista – I can’t even make a good single album out of the entire six sides. To Mack’s suggestion of “Somebody Got Murdered” I’d add “The Call Up” which combined could have made the basis of a decent EP, I suppose. Anyway, can anyone actually name a really good triple album? Seems like hubris of the highest order to even attempt one.

S.

06
Mar
09

Check the Demo

In the top navigation bar there’s a link to a 4-song demo EP, designed to show bar owners what I sound like live with just an acoustic guitar. I’ve been thinking I might get back into gigging again, if I stay in Adelaide long enough to make it a a viable prospect…

The recordings are pretty rough and deleibrately emulate a live sound…but the songs are decent.

BTW, I got Soursob Bob coming here next week for more recording and will probably be gigging with him later in the year.

GSS.

26
Feb
09

Cold Light of Day

The beginning of ‘Disorder’ from Unknown Pleasures has a drum track I have always wanted to sample, and now that’s something I can cross of my to-do list before I head to the mountains again.

Mp3 – Great Southern Steve: Cold Light of Day

I like the bass and guitar and swirly keys enough to call this a keeper, although the lyrics – a maudlin epic about a vampire who feels regret about never seeing daylight – are kind of silly, and could easily be replaced if I have a better idea. I’m planning an EP of stuff like this so a better version / mix is very likely.

Warning: my vampire fetish is entirely whimsical, but seriously, if you are that obsessive kind of person who still lights a candle on Ian’s death-day, don’t listen to this, it will annoy you.

24
Feb
09

Unbeknownst: Sinking in Quicksand

INTERESTING MUSIC (by Steve McKenzie and Lee Pfitzner):

Quicksand

Bring Out Your Dead

Down Below

Heavyhead

Snowflakes

Song From Years Ago

This is fine music, if I do say so. Punk and post-punk afficianodas might not like it as much as other stuff I do but as far as I’m concerned it’s the equal of all my other gear. It was made between 2006 and 2008 in Adelaide and Honiara. If I ever end up settling in one place, I might like to form a band doing this sort of thing. There’s more to follow in this vein, too.

BORING BACK STORY / SITE NEWS:

Back about eighteen months ago I had the zany notion that it would be possible, somehow, to market and plug all my various different musical products under one name: Unbeknownst. (I chose the name partly because I liked the idea of forming a band by stealth over the internet). I made a website – now stangnant – called Unbeknownst Recordings where I intended to put up all my different styles of music. I got the domain name, bought a space upgrade so I could host mp3s, and I was cooking with professional-smelling gas. Temporarily…

Looking back, I now realise this was a bogus idea, borne in a tropical heat haze and fuelled by whiskey and soda. I record with Lee only very rarely and haven’t added anything new to that site in over six months…except that all the mp3s for this site have to be hosted over there. But this site is where the action is. So, it’s really starting to look like this has all ended up the wrong way round…

To cut to the chase, I’ve imported the old Unbeknownst mp3s post over here. That domain and upgrade will expire in May. All the old files will remain, but beyond that, I’ll do all my hosting over here…

Great Southern Steve.

20
Feb
09

Not really a ‘fan’ any more…

(OK, I’ll put up some of my tunes sooooooon. Consider this post a filler track).

When I was a teenager I was a fanatic follower of various bands and would have easily been able to tell you what my twelve favourite albums were. I would have been happy if someone asked me. Of course, no-one ever did.

Then I got into playing music and stopped listening so much. When you are spending every day jamming or performing, or listening to your friends’ bands, you don’t listen to recorded music for entertainment. Well, I didn’t, anyway. I needed a break from it. Silent time was good time.  

For the last ten years or so I have been getting increasingly into music but something has changed… I’m not a fan any more.  For example, I used to love The Buzzcocks to the point where I would have argued heatedly if you pointed out that A Different Kind of Tension is a bad record in a lot of places. Now…I’d probably be the one telling you that.

I don’t want to hear Pete Shelley’s bad songs! Can’t I just listen to the good songs? Isn’t that what compilation albums are for?

I’ve been this way for a while. I remember laughing, years ago, when someone tried to defend London Calling as a “brilliant punk album.” My point was that lots of the second half is bullshit. (I can’t even remember how a lot of those songs go, they are so ordinary. I just want to hear Hateful and Coca Cola). But this guy was prepared to stand there and say that “every song is totally fantastic and that The Clash were the best band ever.”

I kind of miss that. I don’t seem to be able to defend bands any more. And there’s virtually no single album from back then I’d listen to the whole way through.  

Consequently when I come to review my list of top twelve albums I have a lot of caveats and a lot of my favourite bands don’t even make it. Here’s an alphabetised list of what I’m talking about…

The B52s: The self-titled debut is easily on the list of favourite albums but Wild Planet suffered incredibly from difficult second album syndrome. I loved the direction they were going on Mesopotamia but let’s face it, they didn’t really have the talent to sustain it. The rest of their stuff is wack. ‘Love Shack’ included.

The Buzzcocks: The first two albums are great punk but  eh, I’m not happy with Singles Going Steady as a choice here. I prefer a compilation called I Don’t Mind The Buzzcocks and even that has some shit choices and key songs missing.

The Clash: This band really do not have a single LP that makes the list, let alone a double or a triple. Sandanista is just crap. I love the songs ‘Stay Free’, ‘All the Young Punks’  and ‘Safe European Home’ so much that I can say Give Em Enough Rope is my favourite record by this band but that is about all I can say.

The Cramps: This band had flashes of total genius on every early album but I can’t imagine sitting through a whole record and Off the Bone has all the wrong songs on it. How can you say it is a “best of” without ‘Teenage Werewolf?’

Devo. OK, this is an exception. Duty Now For the Future is amazing, and I could say it is one of my favourite records by a favourite band. Are We Not Men is close behind.

The Gun Club: Fire of Love is one of my favourite records but I actually don’t like much else by this band…so I couldn’t say they are one of my favourite bands.

Hunters and Collectors: The Jaws of Life. This is the best record ever made in Australia, although I don’t listen to much other HanC and find their early stuff a bit too arty (although the Towtruck EP is sublime) and their later stuff too wussy. I think this is almost brilliant by accident: a confluence of a very good band in perfect form with a great producer.

The Jam: I love this band, and Sound Affects is probably in my top twelve, but Dig the New Breed is another option. So, probably an exception, altough once again I’d really rather just make my own compilation… 

Joy Division: Lots of Unknown Pleasures is actually kind of boring and maudlin and most of their really good songs are not there. Whoever chose the tracks on Substance has parts of their brain missing. I can say that Closer is may favourite record by this band, and that they are one of my favourite bands. But strangely, this does not translate into saying it is one of my favourite albums.

New Order: ‘Procession’ is my favourite song and I have gotten exquisite pleasure listening to this band on early recordings but would not put either Movement or Power, Corruption and Lies on my list, and actively hate a lot of their new stuff.

The Ramones: End of the Century. I hate a lot of the Ramones later work but the songwriting is good enough on this record to carry it. Only a few tracks stink. I would miss ‘California Sun’ and ‘Sheena but there really is a lot of filler on those early records and I couldn’t listen to a whole one.

Velvet Underground: I’m almost tempted to say Loaded  just because the two singles were so good, but really The Banana Album is their best work and if it isn’t in my top twelve, I don’t know what is. I’m not even sure if I like this band the rest of the time.  

So, y’see what I’m saying, right? I’m just not a fan any more. A lot of music is just too…bad.




Southern Steve Sez:

Some people are born creative, and some people like to thrust other people's creativity upon you. I'm both. This blog has a lot of my own music, as well as samples of my favourite post-punk, pop, folk and anti-folk, rock muzak, jazz and blues music. Note: If you own the copyright of anything here and want me to remove it, e-mail me and I shall comply. But wouldn't you be better off shaking down those guys that put up whole albums? GSS, October 23, 2008

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